Back in the beforetimes, I submitted a proposal to the Shakespeare Association of America to run a workshop in the planned spring 2021 annual meeting in Austin on “Teaching with Special Collections.” My hope was to do the same thing that drives much of what I do—to help demystify the types of teaching that can happen in collaboration between faculty and rare materials librarians. And then came the plague. So I’m writing a note now about how things will look in the workshop in light of travel not feeling safe and universities and libraries not being open for in-person teaching as we’ve been used to it. If you’ve been considering this workshop but are unsure how it fits into the Covid world, please read on. tl;dr Remote participation is ok; we will talk about remote/digital-first teaching; sign up for workshops/seminars by September 15th. Here’s the official blurb that’s in the…
Tag: SAA
socializing
I’ve been thinking about the social ties that connect us to our scholarship. Last week I was at the annual Shakespeare Association of America meeting (or #shakeass13, as it was lovingly hashtagged), a conference that I’ve been going to every single year since (have mercy on me) 1994. ((Ok, I missed one year, in 1995, when it was held in Los Angeles and I was living in London, but I’ve been every other single year always.)) It’s a great conference, in part because it is organized around seminars: the bulk of the work of the meeting happens in seminars in which participants circulate papers in advance; there are also paper panels, with only two or three happening concurrently. The result is a conference with a lot of room for active participation and common conversations. It’s invigorating, and that’s one of the reasons I keep returning. Another reason is that I…
SAA 2012 seminar description
(If you’re a seminar member looking for the papers, you can find them here.) As some of you might have seen in the most recent Shakespeare Association of America Bulletin, Pascale Aebischer and I are directing a seminar on non-Shakespearean Drama and Performance. Both of us have a strong interest in shifting away from early modern performance studies’ dominant interest in Shakespeare to thinking about performance in relationship to drama by other early modern and modern playwrights. Since the Bulletin text is so necessarily brief, we thought it might be helpful to share our longer seminar proposal so that folks interested in participating can get a sense of the questions that are driving our seminar. If you’re looking for an SAA seminar to participate in next year and you’re interested in these questions, please consider ours. We’d be happy to see position papers alongside seminar papers; review essays surveying the…