I’ve just come back from the annual conference for the Rare Books and Manuscripts Section of the Association of College and Research Libraries (more commonly known as RBMS, thank goodness, because that’s a mouthful). I was honored to be asked to be one of the speakers for the plenary on “A Broad and Deep Look at Outreach” and for my talk, I decided to look at how friendly and open the special collections digital landscape is. (Spoiler alert: not as radically open as it could be and should be! I’ve deposited my talk in MLA’s CORE if you’d like to read it, and I will post the link to the audio of the session once RBMS makes it available.) As part of my exploration, I decided to try searching for facsimiles of early editions of various books—part of what makes the digital landscape so frustrating is that there isn’t a centralized…
Category: Wynken de Worde
Posts about book history, reading, special collections libraries and the digital tools that help us love them
how do you use digital special collections?
I’ve been thinking about the digital landscape of special collections recently (hi, RBMS16!) and while I have lots of thoughts on how I come across and use the digital incarnations of rare books and manuscript libraries, I’m curious about what other people do. When I think of the digital landscape of these libraries, I’m thinking of everything from social media (institutional and personal accounts) to digital collections and exhibitions to user-generated websites and projects. How do you encounter and interact with that landscape? Are you looking for specific images? Are you browsing for pretty pictures? Are you following social media feeds for entertainment? Are you researching specific topics? Are you bored? Are you inspired to create your own work from it? Does it never, ever occur to you to look for or look at special collections online? I’d love it if you wanted to share your thoughts in the comments below, whether…
new! digital facsimiles, Shakespeare apps & performance, close reading Othello & theater
Greetings! If you are, like me, waiting for the big blizzard to come and bury us all, might you like something else to read? Or if you are far away from the panic and are sick of everyone talking about it, might you like something else to read? I have you covered! Here are 3 relatively recent pieces I wrote—I hope you enjoy them and share them. “When Is A Source Not A Source?” (link) This past November, I gave a presentation at the Stanford Primary Source Symposium, the theme of which was “The Phenomenology of the Source.” My talk focused on a question that has been bothering me for a while now: how do we treat digital facsimiles of early print as source material? I’ll give you a preview of my rousing conclusion: So, when is a source not a source? If we go by what we see evidenced in…
what those libraries were in The Toast
I thoroughly enjoyed “How To Decorate Your Dream Library” by Amy Collier for The Toast. But because I am me, I was made insane by the lack of captions identifying any of the libraries pictured, so I went ahead and worked my way through them. Go read the article, laugh heartily, and then come back to find out the libraries and photography credits. (A side note: How hard is it, really, to include this information in the original article? Most of the licensing on these images is some version of Creative Commons Attribution. But where’s the attribution in The Toast? It’s bad form. If I were a friend or family member of Jorge Royan, who took a slew of these and whose work is stunning, or any of the others, I’d be pretty pissed that I made my work available under an open license and that places couldn’t be bothered with…
digitization and scale: a kuni-ezu map
Look at this amazing map: I’m not a Japanese scholar, so I’m not going to have a good explanation of this, but my understanding is that it’s an 1837 version of a 16th-century map of the Ōmi prefecture. It’s part of the map collections at Stanford and it was just recently digitized, in advance of the Primary Source Symposium, where it was the focus of a talk by Kären Wigen. ((As a relevant aside, the symposium was a delightful chance to learn more about a whole lot of stuff I didn’t know much about and to get to know scholars outside my usual early modern books circle, so my thanks to Elaine Treharne and Kathryn Starkey for the invitation.)) The map is gorgeous, as is its digitization. Look at the texture captured when you zoom in (click on the map to go play with it yourself; it’s a CC BY-NC license, so go…