6 July update below So, on top of everything else I’m dealing with at the moment, I just got an email requesting a super fast turn-around on a contributor’s agreement for a chapter I wrote. The book collection has already been accepted and is already in production—it’s really not clear to me how things got this far along without contributor’s agreements being worked out. But it has. So here’s my situation: this agreement sucks. It leaves the contributor with no rights. It doesn’t even let me republish my own work in, say, my own monograph without asking the publisher for permission. Here are the key details: “Author grants to the Publisher for the full term of copyright and any extensions thereto, the exclusive right and licence to edit, adapt, publish, reproduce, distribute, display and store the Contribution . . . in all forms, formats and media whether now known or…
Category: In other words
Everything else I write, including Shakespeare and performance, and personal stuff
traces of my dad
When I was a kid, my father wrote a weekly column for the student newspaper at Michigan State University, where he taught. “The Doctor’s Bag” ran in the State News for six years, from 1969 through 1975. It was eventually syndicated and ran in 50 campus newspapers, with a circulation of around 600,000. What this means, in part, is that when I was little people used to ask me if my dad was “The Doctor’s Bag.” (That’s how they used to phrase it: Is your dad “The Doctor’s Bag?”) I had no idea what the column was; I just knew he wrote it. At some point, I gathered that it was a medical advice column answering students’ questions about all things health related. It wasn’t until I was an adult and Dad sent me copies of the entire run of the column that I sat down and read them. I…
SQ issue on Shakespeare and performance
I am thrilled to announce that the special issue of Shakespeare Quarterly that I guest edited on Shakespeare and Performance is now finally in print! That issue went through an open peer review at MediaCommons, and I will be writing something more about that process and experience. But for now, I want to share that there’s some really wonderful, smart, and interesting stuff in the issue and I hope you’ll take a look at it; the issue includes pieces by W.B. Worthen, Ramona Wray, Zeno Ackermann, Mark Thornton Burnett, Daniel L. Keegan, and Todd A. Borlik. Abstracts are online at the Folger and the articles and abstracts will soon (tomorrow!) be are now up at Project Muse for those who have access. Even more thrillingly, I want to share with you one section to which I have the author’s rights, “Rethinking Academic Reviewing: A Conversation with Michael Dobson, Peter Holland, Katherine Rowe, Christian…
why blog once when you can blog twice or even thrice?
A quick update for those of you who have missed my online promotions: I am now in charge of a new blog at work, The Collation: a gathering of scholarship from the Folger Shakespeare Library. It is what it says it is, a blog authored by staff and scholars at the Folger that shares research and resources at the Library in terms that are accessible to the general public and of interest to scholars. If you’re interested in the early modern aspects of what I write here, you’ll like The Collation, too. But it’s not all early modern! We’ll be touching on aspects of librarianship, digital curation, theatre history, and humanities research. I wrote the introductory post on the word “collation” as well as a later post about my tweeting the @FolgerResearch #wunderkammer series. There are also posts so far from Steve Galbraith, the recently departed Curator of Books, ((“recently departed”…
SAA 2012 seminar description
(If you’re a seminar member looking for the papers, you can find them here.) As some of you might have seen in the most recent Shakespeare Association of America Bulletin, Pascale Aebischer and I are directing a seminar on non-Shakespearean Drama and Performance. Both of us have a strong interest in shifting away from early modern performance studies’ dominant interest in Shakespeare to thinking about performance in relationship to drama by other early modern and modern playwrights. Since the Bulletin text is so necessarily brief, we thought it might be helpful to share our longer seminar proposal so that folks interested in participating can get a sense of the questions that are driving our seminar. If you’re looking for an SAA seminar to participate in next year and you’re interested in these questions, please consider ours. We’d be happy to see position papers alongside seminar papers; review essays surveying the…