{"id":5165,"date":"2013-02-07T11:46:30","date_gmt":"2013-02-07T16:46:30","guid":{"rendered":"http:\/\/collation.folger.edu\/?p=5165"},"modified":"2015-12-10T21:59:52","modified_gmt":"2015-12-11T02:59:52","slug":"henry-for-her-time","status":"publish","type":"post","link":"https:\/\/sarahwerner.net\/blog\/2013\/02\/henry-for-her-time\/","title":{"rendered":"a Henry for her time"},"content":{"rendered":"<p>So the short answer to last week&#8217;s crocodile mystery is that this is a picture of Gwen Lally in the role of Henry V:<\/p>\n<figure id=\"attachment_5123\" aria-describedby=\"caption-attachment-5123\" style=\"width: 407px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/luna.folger.edu\/luna\/servlet\/s\/56g0sk\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5123\" alt=\"Gwen Lally as Henry V\" src=\"http:\/\/collation.folger.edu\/wp-content\/uploads\/2013\/01\/crocodile.2013-02.jpg\" width=\"407\" height=\"753\" \/><\/a><figcaption id=\"caption-attachment-5123\" class=\"wp-caption-text\">Gwen Lally as Henry V<\/figcaption><\/figure>\n<p>How did I know that&#8217;s who this was? Well, click on the image and you&#8217;ll be taken to the file in Luna, where the metadata clearly indicates that it is &#8220;Gwen Lally as Henry V&#8221; and the bottom of the image (which I trimmed off for the crocodile post) is labelled &#8220;Henry V.&#8221; But that&#8217;s about all the information it provides, aside from the call number &#8220;Scrapbook B.67.1.&#8221; Because the <a href=\"http:\/\/www.folger.edu\/woSummary.cfm?woid=743\">Folger Theatre is currently staging Henry V<\/a>, I was looking through our digital image collection to see what images we had of actors in the role of Henry. I was struck by this one, since it was the second one in our digital collection of a woman playing the role of Henry V (the first is from the first half of the 19th century and shows <a href=\"http:\/\/luna.folger.edu\/luna\/servlet\/s\/0i4g9y\">&#8220;Mrs Egerton as Henry the Vth&#8221;<\/a>). While there are certainly plenty of male parts that were played by women over the centuries\u2014Sarah Siddons playing Hamlet and Charlotte Cushman playing Romeo come immediately to mind\u2014but I wasn&#8217;t aware of Henry V being one of those roles.<!--more--><\/p>\n<p>There was something else, too, that struck me about the image, and that&#8217;s the odd quality of it: it looked like an image taken from a magazine, not from a photograph. And so I called up the scrapbook and set to work.<\/p>\n\n<p>The scrapbook is, as you&#8217;ll see from the slideshow, full of clippings about and images related to the play (click on the thumbnails above to open up the slideshow). It&#8217;s not clear who compiled it; the dealer&#8217;s letter doesn&#8217;t name the maker. But it was certainly completed before 1925, when it was offered to Mr Folger, and a quick glance suggests that most of the clippings date before 1920.<\/p>\n<p>The image of Gwen Lally comes in the section of the scrapbook devoted to images of actors in the play, and looking at it in the scrapbook itself, it&#8217;s clear that it was a clipping from a magazine or newspaper, rather than a photograph:<\/p>\n<figure id=\"attachment_5175\" aria-describedby=\"caption-attachment-5175\" style=\"width: 656px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/collation.folger.edu\/wp-content\/uploads\/2013\/02\/2013-02-04-12.56.48.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-5175  \" alt=\"&quot;Gwen Lally: A London Actress in Masculine Roles&quot;\" src=\"http:\/\/collation.folger.edu\/wp-content\/uploads\/2013\/02\/2013-02-04-12.56.48.jpg\" width=\"656\" height=\"633\" \/><\/a><figcaption id=\"caption-attachment-5175\" class=\"wp-caption-text\">&#8220;Gwen Lally: A London Actress in Masculine Roles&#8221;<\/figcaption><\/figure>\n<p>It doesn&#8217;t shed a lot of light on the specifics of this performance, but it does reveal a great deal about its circumstances, clearly tying in the presence of a woman in the role of the English king with the vacuum left by men fighting in Europe. While the scrapbook does indicate a date for this clipping (1916, which corresponds with the text&#8217;s account of this happening during the tercentenary of Shakespeare&#8217;s death), it doesn&#8217;t provide any further details about where the clipping came from. The tone is a bit snarky: the climax of difficult and uncongenial activities for women is playing Henry V. (I&#8217;m not sure that really is that hard for women to do, especially given the long history of women playing male parts in Shakespeare&#8217;s plays, though I suppose the fashion of seeing Henry as an ideal English king might put particular pressures on that performance.)<\/p>\n<p>I haven&#8217;t been able to work out quite when and under what capacity Lally played Henry. She was a member of the Old Vic&#8217;s tercentenary celebrations, and it&#8217;s possible that she played Henry in that capacity. Gordon Williams suggests, in his book\u00a0<em>British Theatre in the Great War: A Reevaluation<\/em>, that she reprised the role of Henry in May 1917 during a matinee performance at the Ambassadors. ((Gordon Williams,\u00a0\u00a0<em>British Theatre in the Great War: A Reevaluation<\/em> (Continuum P, 2003) p270. Williams cites two articles from\u00a0<em>The Era<\/em>\u00a0(10 May 1916 and 30 May 1917) as his source for this, but I haven&#8217;t been able to access those articles to see what they report. I am grateful to Mitch Fraas for helping me track down that citation.)) Lally was certainly a player in the British theater scene in the first half of the twentieth century. She&#8217;s remembered now primarily as a prominent pageant director, the first women to be so. There are <a href=\"http:\/\/www.search.connectinghistories.org.uk\/engine\/resource\/exhibition\/sequential\/default.asp?theme=21&amp;originator=%2Fengine%2Ftheme%2Fdefault.asp&amp;page=&amp;records=&amp;direction=&amp;pointer=825&amp;text=1&amp;resource=2033\">some<\/a> <a href=\"http:\/\/www.gettyimages.com\/detail\/news-photo\/pageant-organiser-gwen-lally-sits-for-her-portrait-the-news-photo\/3070128\">great<\/a> <a href=\"http:\/\/digitalgallery.nypl.org\/nypldigital\/dgkeysearchdetail.cfm?trg=1&amp;strucID=534728&amp;imageID=TH-27903&amp;parent_id=534726&amp;word=&amp;snum=&amp;s=&amp;notword=&amp;d=&amp;c=&amp;f=&amp;k=0&amp;sScope=&amp;sLevel=&amp;sLabel=&amp;total=2&amp;num=0&amp;imgs=20&amp;pNum=&amp;pos=2&amp;print=small\">photographs<\/a> of her in later life, including this undated one now part of the Billy Rose Theatre Collection at the New York Public Library:<\/p>\n<p><a title=\"Gwen Lally Digital ID: th-27902. New York Public Library\" href=\"http:\/\/digitalgallery.nypl.org\/nypldigital\/id?th-27902\"><img decoding=\"async\" title=\"Gwen Lally Digital ID: th-27902. New York Public Library\" alt=\"Gwen Lally Digital ID: th-27902. New York Public Library\" src=\"http:\/\/images.nypl.org\/?id=th-27902&amp;t=r\" \/><\/a><\/p>\n<p>It&#8217;s hard to look back at that picture of Lally in 1916 without knowing of her later success in taking on jobs formerly held by men. When I see that she produced an all-female <em>Henry VIII<\/em> in 1924, or when I look at the portraits of her with a hairstyle that looks very much like an eighteenth-century wig worn by upperclass men, it&#8217;s tempting to project back onto her Henry and to see a life-long engagement with questions of gender roles. Whether that is true or not, it&#8217;s helpful to keep in mind that theater is always as powerful as it is because it speaks to us in our own moment. The Chorus in <em>Henry V<\/em> opens the play asking the audience to let the actors, <a href=\"http:\/\/www.folgerdigitaltexts.org\/?chapter=5&amp;play=H5&amp;loc=ftln-0001\">&#8220;ciphers to this great account, \/\u00a0On your imaginary forces work&#8221;<\/a>\u00a0but it is also true that it is the audience who works their imaginations on the actors, bringing their sense of the world to the theater&#8217;s fiction.\u00a0Whether Lally&#8217;s 1916 performance as <em>Henry V<\/em> was a precursor to later gender rebellion or not, it was certainly indicative of a world that was struggling with how to continue even as war was going on and men were fighting and dying.<\/p>\n<p><strong>Update (February 10, 2013):\u00a0<\/strong>Mitch Fraas kindly looked up some more details in <em>The Era<\/em>&#8216;s annual play index and found two productions of <em>Henry V<\/em> for 1916, but neither lists Gwen Lally as a cast member. I&#8217;m inclined to think her performance might have been a one-off, part of a festival or special occasion. If anyone has full access to <em>The Era<\/em>, I&#8217;d love to know what is in the two articles that Williams cites in his account of Lally&#8217;s playing Henry V: 10 May 1916 (p21?) and 30 May 1917 (p9).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So the short answer to last week&#8217;s crocodile mystery is that this is a picture of Gwen Lally in the role of Henry V: How did I know that&#8217;s who this was? Well, click on the image and you&#8217;ll be taken to the file in Luna, where the metadata clearly indicates that it is &#8220;Gwen Lally as Henry V&#8221; and the bottom of the image (which I trimmed off for the crocodile post) is labelled &#8220;Henry V.&#8221; But that&#8217;s about all the information it provides, aside from the call number &#8220;Scrapbook B.67.1.&#8221; Because the Folger Theatre is currently staging Henry V, I was looking through our digital image collection to see what images we had of actors in the role of Henry. I was struck by this one, since it was the second one in our digital collection of a woman playing the role of Henry V (the first is&#8230;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[103],"class_list":["post-5165","post","type-post","status-publish","format-standard","hentry","category-collation","tag-theater-history","post-archive"],"_links":{"self":[{"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/posts\/5165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/comments?post=5165"}],"version-history":[{"count":0,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/posts\/5165\/revisions"}],"wp:attachment":[{"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/media?parent=5165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/categories?post=5165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/tags?post=5165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}