As part of my pre-hurricane planning, I’m pushing out a few pages that I’d put together but not announced. So…<\/p>\n
In celebration of Open Access Week, here’s the fruit of my negotiated contributor’s contract: my book chapter on audiences<\/a> for Stuart Hampton-Reeves and Bridget Escolme’s collection, Shakespeare and the Making of Theatre<\/em> (Palgrave Macmillan 2012). The collection as a whole is geared towards exploring the practicalities of working with Shakespeare as a play texts intended for performance; my contribution explores how to think about the relationship between audiences and actors and what role each plays in shaping the other’s response. I talk about a couple of productions at Shakespeare’s Globe (a King Lear<\/em> and an As You Like It<\/em>), Toneelgroep’s amazing Roman Tragedies<\/em>, and a Folger Theatre show of Measure for Measure<\/em>.<\/p>\n And in celebration of the upcoming Modern Languages Assocation conference (where I’ll be participating in two roundtable discussions, “Convergent Histories of the Book: From Manuscript to Digital”<\/a> and “How Did I Get Here? Our ‘Altac’ Jobs”<\/a>), I’ve compiled a list of book history-related sessions<\/a>. Please let me know if I’ve missed any sessions, and I’ll add them to the list.<\/p>\n For anyone in the path of the storms, please stay safe. And for those of you outside the myriad zones of danger, you stay safe, too!<\/p>\n","protected":false},"excerpt":{"rendered":" As part of my pre-hurricane planning, I’m pushing out a few pages that I’d put together but not announced. So… In celebration of Open Access Week, here’s the fruit of my negotiated contributor’s contract: my book chapter on audiences for Stuart Hampton-Reeves and Bridget Escolme’s collection, Shakespeare and the Making of Theatre (Palgrave Macmillan 2012). The collection as a whole is geared towards exploring the practicalities of working with Shakespeare as a play texts intended for performance; my contribution explores how to think about the relationship between audiences and actors and what role each plays in shaping the other’s response. I talk about a couple of productions at Shakespeare’s Globe (a King Lear and an As You Like It), Toneelgroep’s amazing Roman Tragedies, and a Folger Theatre show of Measure for Measure. And in celebration of the upcoming Modern Languages Assocation conference (where I’ll be participating in two roundtable discussions,…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[27],"tags":[47,65],"class_list":["post-2086","post","type-post","status-publish","format-aside","hentry","category-other-words","tag-mla","tag-open-access","post_format-post-format-aside","post-archive"],"_links":{"self":[{"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/posts\/2086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/comments?post=2086"}],"version-history":[{"count":0,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/posts\/2086\/revisions"}],"wp:attachment":[{"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/media?parent=2086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/categories?post=2086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sarahwerner.net\/blog\/wp-json\/wp\/v2\/tags?post=2086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}