Thanks to my last post, when Mitch Fraas and I were looking at how different copies of the same book handled having a printer error (Judas instead of Jesus, in that case), I’ve spent the last week with cancel slips on my mind—those pieces of papers that are pasted in to correct printing mistakes. Once you start looking, you can find cancel slips in a huge range of uses and states. (And as long-time readers know, I’m always interested in printer’s mistakes and how they can be corrected.) What do you do if you’ve misprinted one of three propositions central to the 1599 Westminster conference? You print the corrected third proposition and paste it over the error—cheaper than reprinting the whole sheet (the whole book is only two sheets long) and easier than pasting in a canceled leaf. Of course, for shorter errors, printers often included a list of errata—known mistakes…
Category: The Collation
Posts first published on The Collation, the Folger Shakespeare Library’s blog. The original posts and comments can be found by substituting “collation.folger.edu” for “sarahwerner.net/blog” on the individual post urls.
Keeping your Jesus and Judas straight
Co-written by Sarah Werner and Mitch Fraas One might think that when printing the New Testament, one would want to avoid at all costs mixing up Jesus and Judas. However, this month’s crocodile shows that such mistakes did happen: As two commentators simultaneously identified the mystery, the image shows a well-known misprint from the 1610 Geneva Bible (STC 2212) in John 6:67, in which instead of Jesus speaking to the apostles, Judas is identified as the speaker. Bible errors can be amusing in and of themselves, but what brought this one to our attention is a recent class that Mitch Fraas was teaching with Zachary Lesser at the University of Pennsylvania. For that class, they pulled out Penn’s copy of this bible, and discovered that the error had been hand corrected:
Twelfth Night
What better play to consider on the twelfth night of Christmas than Twelfth Night? Although there are discrepant practices today whether the Feast of the Epiphany—marking the visit of the Three Kings to Bethlehem to worship the Christ child—is celebrated on the 5th of January or the 6th, in Elizabethan England, the Epiphany was celebrated on the 6th. Like other festivities in the season, Twelfth Night was a time of topsy turvy celebrations inverting social order: boys crowned in mock religious processions, heavy drinking and lavish feasts, parody and misrule replacing stern morality. It was, of course, also marked by song and performance. So, what does this all have to do with Shakespeare’s play?
Farewell to 2014
The end of the year is a time that invites self-reflection and speculation for the future. As the editor of The Collation, late December makes me want to assess how our year here went—how many readers did we reach, how much information and entertainment did we convey, how well did we open up our collections? So here is a quick look at what 2014 brought us.
Dalí as you like him
The change of pace in this month’s crocodile mystery is thanks to Salvador Dalí. Surely you, like our commenters, recognized those elongated legs. And if I’d shared the companion image, you’d have guessed that immediately as well. But what’s he doing in the Folger Shakespeare Library’s collections? Sharing his designs for As You Like It, obviously!