It’s been just over a year since I left my job to become an independent scholar/freelance writer/humanist at large/wow this terminology is bad. I’ve been thinking a lot about what’s possible and not possible in this gig. One huge shift was rethinking how I got access to all those library databases that make my research possible. I’ve really been pretty fortunate, given that I could easily not have access to anything I need (more on that after the break). But it’s a bit of a hodge-podge and there are still things I don’t have access to. So for the curious, here’s a list of what resources I use and how/if I have access to them. The specifics of the list come from my particular research interests (at the moment, early modern printing practices), but the general strategies and obstacles should resonate well beyond my particular niche. One point before I get started. This…
Year: 2016
more than seven jobs
There’s been a meme going around Twitter of listing your first seven jobs. It started with Marian Call, but of course spread across all sorts of folks, including academics. It’s been interesting—some folks have jobs that in retrospect lead exactly to the job they have now; others have a range of early jobs that I never would have guessed. But the academic ones often depress me. Many of the ones I saw seemed to quickly lead to being teachers, a few noted things like, “I haven’t even had seven jobs!” It wasn’t until smart woman and fellow scholar Kirsty Rolfe tweeted something about this that it occurred to me that maybe I was reacting to something more systemic than my individual annoyances. Thinking about #firstsevenjobs and what its use by academics says about academia and class (think it’s a bit more complex than it appears) — Kirsty Rolfe (@avoiding_bears) August…
looking for open digital collections
Because I have a project coming up that will need lots of pictures of early printed books, I’ve been trying to compile a list of openly accessible digital collections of early printed books. Sound like a straightforward project? You might think it’d be pretty easy to identify whether a digital collection has terms that are useful for your purpose. You’d be wrong. Some collections have clearly stated terms and link to those policies in obvious ways. My favorites are those providing that information with the items themselves—both because of their ease of use and because they allow for item-specific information, which is handy given confusing copyright regulations and diffuse collections. But there are also places that use a cover-their-butts note instead of providing user friendly information. Statements along the lines of “we obey all relevant copyright laws” might protect a library from the risks of wrongly stating whether an item is not or is under copyright, but they do nothing for…
searching for a Blazing World
I’ve just come back from the annual conference for the Rare Books and Manuscripts Section of the Association of College and Research Libraries (more commonly known as RBMS, thank goodness, because that’s a mouthful). I was honored to be asked to be one of the speakers for the plenary on “A Broad and Deep Look at Outreach” and for my talk, I decided to look at how friendly and open the special collections digital landscape is. (Spoiler alert: not as radically open as it could be and should be! I’ve deposited my talk in MLA’s CORE if you’d like to read it, and I will post the link to the audio of the session once RBMS makes it available.) As part of my exploration, I decided to try searching for facsimiles of early editions of various books—part of what makes the digital landscape so frustrating is that there isn’t a centralized…
how do you use digital special collections?
I’ve been thinking about the digital landscape of special collections recently (hi, RBMS16!) and while I have lots of thoughts on how I come across and use the digital incarnations of rare books and manuscript libraries, I’m curious about what other people do. When I think of the digital landscape of these libraries, I’m thinking of everything from social media (institutional and personal accounts) to digital collections and exhibitions to user-generated websites and projects. How do you encounter and interact with that landscape? Are you looking for specific images? Are you browsing for pretty pictures? Are you following social media feeds for entertainment? Are you researching specific topics? Are you bored? Are you inspired to create your own work from it? Does it never, ever occur to you to look for or look at special collections online? I’d love it if you wanted to share your thoughts in the comments below, whether…