Here on The Collation, it’s been a busy 2013. Today’s post will be our 68th of the year, and as of December 15th, we’d racked up 46,012 visits from 33,411 unique visitors, producing 67,361 pageviews this year. phew It’s gratifying that we have readers who enjoy our posts and that come to us repeatedly to learn what we have to share. But what’s even more important is that The Collation continues to be a place where Folger staff can share with readers information about our collections, where readers can share with others what they’ve learned from our materials, and where readers can help staff learn more about what we have. The first aspect of the blog is probably what most people think of if they think of what social media at specials collections libraries can do—our blog posts highlight the great work done by folks at the Library and help draw attention to acquisitions…
Year: 2013
‘Tis the season for almanacs
As our two commenters on the last post sussed out, this month’s crocodile mystery is a detail from an almanac, the black “Swallow” overprinting the red “Dove” the names of authors of two different almanacs. Below is the full title page of the work in question, Swallow 1633. An Almanack for the yeare since the nativity of our Saviour MDCXXXIII Being the first after Bissextile or Leap-yeare, and from our Saviour’s passion 1600. Calculated properly for the famous Universitie and Town of Cambridge, where the pole is elevated above the Horizon 52 degrees and 17 minut.
A practical look at the Practical Science of Printing
In 1723, a Frenchman named Martin-Dominque Fertel published a book on printing, La science pratique de l’imprimerie. It’s good to look at early printing manuals, especially when one is trying to understand how early printing works, so I was delighted to learn that the Folger acquired a copy of the book from the Veatchs in September 2012. When I called the book up from the vaults, I saw that it was housed in a specially-made case: But why was the book in a box?
more lessons on negotiating a contributor’s contract
So the start of Open Access Week seems like a good prompt to share with you my latest round of negotiating with a publisher for a better contributor’s contract. I’ve written about earlier versions of this exercise before, from the initial steps to its happy conclusion, but so far it’s not something that feels natural and I repeatedly hear from others that they don’t know how to go about this. The most recent exercise involves a commercial press that does a lot of scholarly publishing and a collection of Shakespeare-related essays. The contract I was sent (one page via snail mail) asked me to assign copyright to the publisher in exchange for one copy of the finished collection, with no provision for archiving or distributing the piece for teaching purposes. Here’s the key language:
Bridging past and present
As I hope Collation readers know by now, the Folger is committed to openly accessible resources. Last week provided one example of the exciting results from such a scholarly pooling of knowledge. The story begins with a conference held at the Library on bindings, the culmination of a two-year project creating an online database of images of bindings at the Folger. That database, which Jim Kuhn described here last year, contains over 4,000 images of (mostly) early modern bindings from England, Italy, France, Germany, and the Low Countries, all freely accessible to anyone with an internet connection. The images show not only decorative aspects of bindings, but structural elements as well (a partial list of the fields and the vocabulary used gives you a sense of the scope of the project and how you can search the database). Users can interact with the database in a range of ways, including performing detailed…