I know what you’re thinking. Gee, this looks familiar: And it ought to. Compare it to this: The first is a Book of Psalms from the British Library’s collection, with an embroidered binding depicting David and his slingshot on the front panel and David with Goliath’s head on the back. The second is our friend from my last posting, a Book of Psalms from the Folger, with an embroidered binding depicting David with Goliath’s head and, yes, David and his slingshot. I’ll wait while you compare the two (clicking on each image should bring you to an enlargeable picture). That’s right–they’re the same! Of course, they’re not exactly the same. The BL binding reveals that what I took as a cheesy grin from Goliath is actually a mustache, the Folger David holding Goliath’s head has a unibrow that the BL David does not, and the Folger binding has…
Year: 2009
David and Goliath
It has been nearly a month since I last posted, for which I can only apologize. Although that might be an eternity in blog-days, in real-life days, the time has just flown by, what with the excitement of college basketball and grading and Passover and the annual Shakespeare Association of America conference. Oddly, there were very few obvious points in common among those events, but there I was, nonetheless. I can, I think, actually find a common thread among some of them with this picture: What is this, you ask? It’s The whole booke of Psalmes: collected into English meter by Tho. Sternhold, Jo. Hopkins, W. Whittingham, and others, conferred with the Hebrew, with apt notes to sing them withall. Newly set forth, and allowed to bee sung in all churches, of course, printed in 1639 and here with a stunningly gorgeous embroidered binding. And who is that on the…
Carnivalesque 48
Welcome, one and all, to Carnivalesque 48, the early modern edition! As should come as no surprise, some of the most interesting posts on early modern studies in the last few months have come from two sources. Both Mercurius Politicus (written by Nick Poyntz) and diapsalmata (Whitney Anne Trettien) routinely have fabulous posts; I’ll single out a couple here, but really, their blogs are worth reading regularly. Mercurius’s Killing Noe Murder discusses Edward Sexby’s 1648 pamphlet justifying the murder of Cromwell; part of Nick’s concern is the production and distribution of the pamphlet, a theme he takes up in a broader examination of the rise of newsbooks in The Great Game. There is some more material book history over at diapsalmata, where Whitney has been looking at the practice of cut-ups in a series of posts. The first draws connections between early modern commonplacing, Dada cut-ups, and digital poetry–a great…
Carnivalesque nominations: time’s a tickin’!
If you haven’t already done so, get your blog post nominations in for Carnivalesque 48, the early modern edition! If you’ve come across–or if you’ve written–a great blog post that concerns the period 1500 to 1800, please let me know about it by emailing me or by using the nomination form. I’ll be posting my edition this weekend, so get your suggestions in now! I assume most of you recognize the image I’ve used to illustrate my theme of time’s a tickin’–it’s Abraham Lincoln’s watch, recently opened up by the Smithsonian to reveal messages inscribed on the underside of the watch movement. It seemed appropriate for this post not simpy because it demonstrates the passage of time, nor because it lets me demonstrate my fondness for things pertaining to Lincoln, although it does do both of those things wonderfully. But it also gestures toward something that I am not usually…
pointing to Carnivalesque submissions
A quick but important announcement first: I am hosting the next early modern edition of Carnivalesque. Please nominate your favorite early modern blog posts by using the Carnivalesque nomination form, commenting here, or by emailing me directly (you can find my email address through my profile). The no-holds-barred Carnival fun and wisdom is scheduled for publication on March 21st, so get me pointed in the right direction now! And that last bit is my not very subtle transition to the lovely pictures below. I promised my last commenter that I would follow up that great pointing forefinger (or Fonz’s thumb, depending on your tastes) with some more examples. So here’s another great set of pointing fingers, this time complete with fancy ruffles. This is from a 1475 commentary on Aristotle–again, more commentary on commentary, as we saw with the Boethius. Some genres of writing would seem to invite more…