Last August, Emma Smith’s The Cambridge Companion to Shakespeare’s First Folio was published and I was and am delighted to have a piece in this one-stop-shopping introduction to F1. My contribution, to the surprise of no one, is on digitized copies of the First Folio. It’s a bibliographical and cultural-materialist inflected examination of what is available, how they present themselves, and what we might learn from them. “Digital First Folios” is a piece that I’m proud of and that I think is a useful contribution to conversations about digitization projects. And so I’m really happy that not only can you read it as part of the Companion, but that I can share it with you here on my site. You’ll have to read the piece for the details of my argument, but as a lure, here are some of my key points. Digitized F1s are presented nearly completely without any information about…
Tag: contract negotiations
more lessons on negotiating a contributor’s contract
So the start of Open Access Week seems like a good prompt to share with you my latest round of negotiating with a publisher for a better contributor’s contract. I’ve written about earlier versions of this exercise before, from the initial steps to its happy conclusion, but so far it’s not something that feels natural and I repeatedly hear from others that they don’t know how to go about this. The most recent exercise involves a commercial press that does a lot of scholarly publishing and a collection of Shakespeare-related essays. The contract I was sent (one page via snail mail) asked me to assign copyright to the publisher in exchange for one copy of the finished collection, with no provision for archiving or distributing the piece for teaching purposes. Here’s the key language:
a new contributor’s contact!
In my last post, I discussed the contibutor’s contact I had been presented with for a chapter I have in a forthcoming collection. It was much more restrictive than I liked, including requiring that I ask them before I reuse my material in my own future publications and not allowing for any digital repository use at all. After emailing my editors and the publisher, and going through some back-and-forth, I’m happy to say that they presented an alternative contributor’s contract that I’m willing to sign! Here are the key details in how this happened for those of you who might be contemplating this sort of negotiation: I let my volume editors know that I intended to do this. I’m not sure they entirely understood my objections (one pointed out that he’d already put his contribution on his institutional repository; I didn’t counter that that didn’t seem permissible according to the terms we…
working with a contributor’s contract
6 July update below So, on top of everything else I’m dealing with at the moment, I just got an email requesting a super fast turn-around on a contributor’s agreement for a chapter I wrote. The book collection has already been accepted and is already in production—it’s really not clear to me how things got this far along without contributor’s agreements being worked out. But it has. So here’s my situation: this agreement sucks. It leaves the contributor with no rights. It doesn’t even let me republish my own work in, say, my own monograph without asking the publisher for permission. Here are the key details: “Author grants to the Publisher for the full term of copyright and any extensions thereto, the exclusive right and licence to edit, adapt, publish, reproduce, distribute, display and store the Contribution . . . in all forms, formats and media whether now known or…