For the immediate future, I’ll be concentrating on writing A Handbook for Studying Early Printed Books, 1450–1800, which is under contract with Wiley Blackwell. The book is intended to introduce undergraduate and early graduate students—and everyone else!—to how hand-press books were made and to working with them, whether in your hands or on screen. Those of you who have been relying on Philip Gaskell’s wonderful but dense A New Introduction to Bibliography will find A Handbook a more accessible introduction in the classroom. § continue reading →
Sometimes I give talks about the challenges and opportunities for digitizing early printed books. I prefer to do this by looking at lots of different examples, including lots of different reproductions of different copies of the same book or different reproductions of the same copy of a single book. I keep a periodically updated list of these things to draw from when I’m teaching, and I thought some of you might like to draw on it as well. It’s a page of links rather than notes on my thoughts on the subject, but in some cases, they’re books I’ve written about before and I link to those pieces. § continue reading →
There’s a story my parents used to tell of me as a child and how much I loved to read. Reading was what my family did in the evenings; we sat in the room we referred to as the study and read. One evening I was so deeply engrossed in my book that I had no idea they were talking to me; this was entertaining enough that they were both watching me to see how long it would be before I responded. It was long enough that it became a tale they told, part of how they understood who I was. § continue reading →
Occasionally, one finds oneself confronting the misconception that book history has nothing to do with digital scholarship. People who love print are never people who study with and about digital tools, right? You know better, I trust, but it continues to be surprising and frustrating that people across the full spectrum of these media studies make these assumptions.
And so I was delighted to be asked to co-write a “State of the Discipline” piece for Book History on exactly this relationship between book history and digital scholarship. And I’m even more delighted that the piece that Matt Kirschenbaum and I wrote is now out! § continue reading →
I’m excited to have contributed a post to HiLobrow’s Kern Your Enthusiasm series, which has a lot of smart, interesting people writing about a favorite (or not-favorite) font. For my bit, I wrote about the typefaces that Edward Johnston designed for the Cranach Press Hamlet, published in 1928.
My opening gives you my take on the font: § continue reading →
Welcome to Carnivalesque 103! Carnivalesque is, in its own words, “an interdisciplinary blog carnival dedicated to pre-modern history (to c. 1800 C.E.)” and I’m delighted to play host for this issue.
If you’ve spent any time doing research into the past, you know the frustrations of not being able to find what you’re looking for. If you’re lucky, you’re as smart and interesting as Alun Withey and you can use that experience to strengthen your sense of possibilities. In “The Agony and the Ecstasy: Hunting for 17th-century medics with few sources!” (a post on his eponymous blog), Withey tells us about the difficulties in tracking down early modern Welsh medics. § continue reading →