I’ve written about digitizing Shakespeare’s First Folio before, looking at the interfaces of the many different copies out there. But I’m turning my attention to this again for my contribution on the subject for the in-progress Cambridge Companion to the First Folio, edited by Emma Smith. In my article, I’ll be thinking about why there are so many libraries digitizing this same book over and over again and what these many projects can teach us about what we look for from the First Folio and from digital tools.
But to do that, I revisited the 13—!!!!—digitized copies currently out there on the interwebs and created a list identifying each copy and its various relevant features for both the interface and the book itself. § continue reading →
I just got back from a wonderful trip to Rare Book School to deliver a talk in their 2015 lecture series. It was the last week of their summer season in Charlottesville, the week when the Descriptive Bibliography course (aka “boot camp”) was in full swing, and the weather was in all its hot, glorious humidity. I wanted to keep things light as well as make some points I feel very strongly about: the importance of librarians and researchers using social media to help sustain special collections libraries.
Below are the slides and my notes for my July 29th talk. Since RBS records and shares the audio of their talks (go browse through past RBS lectures and listen!) I have, with their permission, also embedded the audio of my talk here so that you can listen and read along if you’d like (there are some variations between the two, though nothing substantive—I’ll leave you to decide which is the authoritative version…). § continue reading →
Sometimes you look around at what you’re doing and you realize that it’s time to do something else. For me, that time is now: I’ve left my job at the Folger.
For the immediate future, I’ll be concentrating on writing A Handbook for Studying Early Printed Books, 1450–1800, which is under contract with Wiley Blackwell. The book is intended to introduce undergraduate and early graduate students—and everyone else!—to how hand-press books were made and to working with them, whether in your hands or on screen. Those of you who have been relying on Philip Gaskell’s wonderful but dense A New Introduction to Bibliography will find A Handbook a more accessible introduction in the classroom. § continue reading →
Sometimes I give talks about the challenges and opportunities for digitizing early printed books. I prefer to do this by looking at lots of different examples, including lots of different reproductions of different copies of the same book or different reproductions of the same copy of a single book. I keep a periodically updated list of these things to draw from when I’m teaching, and I thought some of you might like to draw on it as well. It’s a page of links rather than notes on my thoughts on the subject, but in some cases, they’re books I’ve written about before and I link to those pieces. § continue reading →
There’s a story my parents used to tell of me as a child and how much I loved to read. Reading was what my family did in the evenings; we sat in the room we referred to as the study and read. One evening I was so deeply engrossed in my book that I had no idea they were talking to me; this was entertaining enough that they were both watching me to see how long it would be before I responded. It was long enough that it became a tale they told, part of how they understood who I was. § continue reading →
Occasionally, one finds oneself confronting the misconception that book history has nothing to do with digital scholarship. People who love print are never people who study with and about digital tools, right? You know better, I trust, but it continues to be surprising and frustrating that people across the full spectrum of these media studies make these assumptions.
And so I was delighted to be asked to co-write a “State of the Discipline” piece for Book History on exactly this relationship between book history and digital scholarship. And I’m even more delighted that the piece that Matt Kirschenbaum and I wrote is now out! § continue reading →